During the month of May, Filmatique will host a collection of films from exciting new voices in Asian Cinema. First films from Peng Fei Song, Hyun-ju Lee, and Eddie Cahyono screen alongside the elegant third feature from Le-Van Kiet.
Though from countries as diverse as China, South Korea, Indonesia and Vietnam, common themes pervade these narratives— rapid urbanization, economic hardship, ill-fated love and the erosion of individual identity. Peng Fei Song's Underground Fragrancedelves into a sprawling subterranean community on the outskirts of Beijing; Eddie Cahyono's Siti takes place in a small Indonesian beach town. Both, however, explore communities forsaken by society, and the determination of young people to survive by whatever means they can. While both GentleandOur Love Storyexplore the vicissitudes of love,the formerdeconstructs an unequal marriage and the role of religion in contemporary Vietnam while Our Love Storychronicles the fears and jubilations of a first love unfolding amid homophobic attitudes in South Korea.
Filmatique's New Asian Voices Series assesses the social, political and cultural landscape of contemporary Asia through some of the newest and most exciting voices in its cinema.
A doomed romance between two inhabitants of a vast underground labyrinth portrays a little-seen Beijing community's collective dream— to surface to air. Underground Fragranceprovides a dark portrait of rapid urbanization and the consequences of economic stratification in contemporary China. The use of silences and extended, masterfully-composed shots lends a haunting, surreal atmosphere to this debut feature, registering Peng Fei Song as a talent to watch.
Underground Fragrance premiered at Venice's Giornate degli Autori, where it won Best Film, and Chicago where it won Best New Director.
Yoon-joo is a timid art student in the midst of preparations for her graduate exhibition. Ji-soo is a bartender who radiates confidence. Following a chance encounter at a convenience store they embark on a romance that defies what remain intolerant attitudes toward homosexuality in South Korea. Hyun-ju Lee's lyrical debut feature explores the nuances of first love between two characters that just happen to both be women.
Our Love Story premiered at San Sebastián, Vancouver, and Jeonju, where it won the Grand Prize for Best Korean Film.
Siti is a young mother living in Indonesia. After her husband was gravely injured in a fishing accident, Siti is the sole bread-winner in the household— beachside crab-cracker vendor by day, karaoke entertainer by night. This vivid black-and-white portrait of an ordinary Indonesian woman transforms a symptom of economic hardship— the need to hold two jobs— into a mise-en-abîme of the schizophrenic relationship between a corrupt, oppressive society and its citizens.
Eddie Cahyono's visually stunning debut feature premiered at Singapore, Hong Kong, Hamburg and Shanghai, where it won Best Screenplay.
Keiichi Kobayashi’s About the Pink Sky offers a glimpse of teenage life in Japan, impressive for its delicate, nuanced approach to class divisions and adolescent sexuality. High school student Izumi finds a wallet containing 30,000 yen on the street; instead of returning it, she lends some cash to a fisherman and takes her girlfriends out for lunch. When compelled to return the wallet to its rightful owner, an unlikely friendship is formed.
Shot in gauzy black & white, About the Pink Sky premiered at Sundance and won Japanese Eyes: Best Film at the Tokyo International Film Festival. Kobayashi’s debut feature takes what tend to be cinematic tropes and turns them into rare truths: the bittersweet taste of youth, female friendship, suburban ennui.
Linh is a Vietnamese woman saved from an arranged marriage by Thien, a well-to-do pawnshop owner. She is young and curious; he is older, more controlling. Over time Thien's unsentimental approach to marriage suffocates Linh, who seeks solace in the Church, infuriating her husband even further. Le-Van Kiet's elegant third feature delves deep into the psychology of its characters, deconstructing a marriage that was doomed from the start.